Festival? We Don't Need No Stinking Festival - Music Review

Ah, the urban wilderness that is LA! The wild smog inslap-dash deconstructionism are commendable, after
the wild air settles all over you like a fine coating ofstanding in the sweat and cigarette drenched club for
pancake makeup applied to a nude model. You strolla few hours, the joke wore thin. It began at times to
through this thick atmosphere and feel the desperationfeel like a test of will. The atmosphere in The Smell
and faded glory assault your senses. Crumbled andcontributed to this by acting like an unhealthy sauna. It
stained sidewalks and curbs seem half real beneathwas the reverse of every positive feeling one could
your feet. Whole blocks of dirty and ratty tents stuffedhave in a space. The thickness of the air filled with
with people driven half mad or all the way mad byhuman sweat and bad breath and cigarette smoke
drugs and no food and illness and inner demons.and vague industrial smells and of course, urine was
Mexican transvestites preen past the gauzy greeninescapable.Better were the sets of Ruins solo and the
glow of the neon lights in the window of the botanica.great grand finale of Acid Mothers Temple pile driving it
As the sunlight fades a new city rises from these ruins.home. The Ruins set was a master work of intense
This is the city of other senses. This is the city of smell.drumming. While playing along with a sampler and
The city of human urine and car exhaust and heatguest bassist Yoshida somehow channeled the sound
bleeding out of old stone walls. This is the city of touch.of several drummers playing furiously all at once. The
The cracked and callused hand of a homeless man asbeauty and devastation of the songs, filled with manic
he shakes you hand waiting for his moment to startenergy and wild swerves of tempo was inspiring. Best
the hustle for change. This is the city of sound. Theof all however was the massive cathartic,
sound of Ranchera and Mexican dance music blattingfreak-power lift off of Acid Mothers Temple . It's hard
at full volume. The sound of desperate shouts andto describe the massive push of sound pressure
garbled screams coming from unknown directions. Thiscreated by AMT live. They seem to literally strangle
city keeps you on your toes. It was into this city thatthe music out of thin air and then ride this throbbing
myself and a few pal ventured last Saturday night tomonster for all it is worth. The spontaneous and
check out the spectacle, the phenomena, and thechance filled collides with pure daring and intent to
outright surreal indecency of the Acid Motherscreate hypnotic magick. AMT is one of the best live
Temple's "New Japanese Music Festival".To call this aacts going and it would behoove you to drive, fly, crawl
"festival" requires that one's ability to visualize oron bloody stumps, skip, or roll to wherever they are
conceptualize is deeply rooted in a Marx Brothersplaying and dig it.This wild trip to LA didn't end with the
aesthetic. Perhaps it even requires something beyondlast collapsing chords of AMT though. From there our
The Marx Brothers. A bit of 3 Stooges mixed togetherSan Diego foursome (the impossibly tall and handsome
with Monty Python and the Firesign Theatre all soakedPhilsy, his lovely pixie-booted wife Yuko and "The Two
in Ayhuasca and shot up your nose by an AmazonianHigh School Girls" Eric and I) and some other pals
shaman. That might approach it. Now that you've(wise acre, music magician, actor and all purpose freak
rearranged your perspective you're ready to call thisBrucey and sweetheart of the rodeo and dog-bar
event a FESTIVAL! It consisted of severallover extraordinaire Helveta) scampered off to one of
permutations of 3 of the ever expanding Acid Mother'sthose LA ex-Rummy/Barfly, now taken over by
Temple lineup. In this case that would include,hipsters, bars called, "Footsies". As to what happened
Kawabata Makoto, Yoshida Tatsuya and Tsuyamahere perhaps the less said the better! Let's just say
Atsushi. Each assembly of these same three peoplethat tequila and Tabasco is a lovely way to go and
would get up and play for between 10-20 minutes, thenthat watching large gothic girl dig cell phones out of
they would dash off backstage to take a quick smoketheir cleavage to show you pictures of themselves
break and run back on to "become" the nexthung-over in a taxi is not. Really what this night was
group.Musically there was an entire gamut to run.about was connection and freedom. It's a blessing to
There was a healthy dose of beautiful and damagedbe with great friends laughing and riffing on time
Gregorian drone chanting. This was surrounded bypresent and past. It's a blessing to get out of your
contact microphone noise sessions of pant zippershead once in awhile. It's a blessing to see the variety of
and scissors. There were longish riffs on varioushuman experience. And finally it's a blessing to hear the
"famous" and not so "famous" songs by Deep Purple,pure caterwaul and inspired free-form lunacy of Acid
Led Zeppelin and Miles Davis. These were delivered inMothers Temple no matter what the line up, smell or
a wacky, hand-made Captain Beefheart tone that, tocost to mind and body.
me, was a bit off putting. While the sentiments of